The emergence of the new crop of Kenyan musicians has resulted into people comparing them with their older peers i.e. those who have been in the game for longer, say a decade or so.
While the new-age artists are spontaneous, the older folk are more ‘calculative’ which means that they think every move through carefully and perhaps this works to their detriment.
There is also the obvious fact that the younger folk are very ratchet going by the words that they use in their songs and their videos. On the other hand, old school artists are kind of reserved.
Most of the older folk are still using the Tanzanian approach of singing about dirty things i.e stuff is hidden and coming at a time when almost everyone is being raunchy, this doesn’t serve in their best interest or does it?
If you are keen, then I’m sure that you’ve noticed that the likes of Jua Cali, Redsan, Nameless, Wyre and Nonini don’t get much as they used to back it they day.
We have reached a point where they are almost unheard of and the truth is that this has a lot to do with the new crop of Kenyan artists because they are literally hogging the spotlight.
Unlike their older peers, they don’t wait for a song to ‘marinate’ before they drop another one, they are always on toes. This way, they are always on people’s lips.
At the end of the day, when all is said and done, if you are a big fan of Kenyan music like yours truly then you have to decide where your loyalty really lies.
Are you sticking with the old school music that is more reserved but enjoyable and you wouldn’t be shy to listen to in front of your parents.
Or are you an ardent fan of new-school music with all it raunchiness and you can live with the fact that you have to cover your face in shame when it comes on and an elder person is around.
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Comme ci, comme ça